Using the same software on computers worldwide by providing rights of distribution, copyright, and rental to
authors of computer programs via the World Intellectual Property Organization
Copyright Treaty (1996)
By: Jason K. Everett, Staff Writer, International
Judicial Monitor
(In celebration
of the 100th anniversary of the founding of the American Society of
International Law in 2006, the Society published a pamphlet titled International
Law: One Hundred Ways It Shapes Our Lives. The introduction gives an
explanation for its conception: an affirmation that: “international law not
only exists, but also penetrates much more deeply and broadly into everyday
life than the people it affects may generally appreciate.” This column seeks to
elucidate and elaborate on many of the 100 ways briefly presented in the ASIL
pamphlet.)
Copyright laws provide authors with the exclusive rights (for
a limited time) to use and distribute their work. Stated briefly, the intent
of copyright is to stimulate creativity for the general public good. This
notion is based on the theory that absent the ability to protect creative works
from unauthorized reproduction, use, and distribution there would be a chilling
effect on the endeavors of authors.
Copyrights are granted by nations and are enforceable under
that nation’s laws and through that nation’s courts. Until the late 1800s most
authors had little recourse to protect their works beyond the jurisdiction in
which they first obtained copyright (typically the jurisdiction in which the
work was first published). Frequently, authors would attempt to obtain
copyright in multiple nations by endeavoring to simultaneously publish their
work in their home nation and abroad. Needless to say, these efforts were not
always successful due to both the difficulty of simultaneous publication and
varying copyright requirements across differing nations.
By the mid-19th Century authors were clamoring for
international agreements promoting formality-free cross-border copyright
protections. There were far too many challenges when attempting to protect
work abroad. These demands culminated in the Berne Convention (formally the
Berne Union for the Protection of Literary and Artistic Works). This
convention, drafted in September of 1886, provides, among other things, that
countries recognize the copyrights held by the citizens of all other parties to
the convention. This allowed authors the ability to protect their work in any
nation that is a party to the Berne Convention so long as the work was
initially published in one of the